Monday, October 5, 2015

Hiders Totem Review by Shawn Abnoxious


Somewhere in the middle of getting way-involved whilst reading an alternate history of World War 3 starting from events that came to be known as The Cuban Missile Crisis... Totem, the Fifth full-length from Cincinnati phantoms The Hiders found me... In just the right time, breaking up my WW III reading just moments before a reoccurance of my self-diagnosed 'Thermonuclear Anxiety' or Nucleomituphobia to you newer fans. We all have our good-times and bad-times. Those times when your ten-years old and you know the yield of a nuclear warhead and you get the phone book maps out and see how many 'as the crow fly' miles you are from General Electric. Well, you will remember that guttural feeling long after the statistics are gone.

That's how I am with music... A certain feeling, or if I'm lucky, a certain feeling and event will instantly resurface for at least a shining moment. Hopefully more... Like this:

I don't know when, exactly or how country music... REAL country music died, but I think it happened in that funky-era when you'd go 'Down-Home' [Kentucky] and all your relatives stopped calling make-up doused metal-heads or those with long-hair faggits. Willie Nelson was one exception (there's always exceptions) due to his mane always being braided, but still... I woke up one day and whaddya know! The long-hair was in. I didn't even know peace-talks between 'Country Music' and 'Rock and Roll' were taking place! The acceptance of the long-hair aka "Bad Boy Look" in-conjunction with the creek-watered-down pride-filled shitty-ass music that may have talked the talk, but didn't walk the walk, was here to stay. 

As I see it, we live in the days before the fall of our society... No apology for that deepness... All that country music that I heard as a kid on the trips Down-Home with the winding roads that had me sliding back and forth in the slick, Armour-All backseat of a Cadillac, hearing the wind from the window cracked open to ease the smoke-filled car a bit... Country music blaring. Twitty, Haggard, Lynn... Sometimes you just don't know how awesome things are until...

Until those veiled good times are long gone... But we still have the ability for good times ahead. There's always room for a new soundtrack and the latest Hiders release, Totem, is part of the soundtrack redefining what once warring factions of music genres and in the process, bringing some much needed music, GOOD music, to the populace.

Totem is what 'new' country-music should be. It's riddled with hooks, twist and turns and a sway or two, that brings to bare, and expands upon, The Hiders 'sound.' A sound that goes far beyond the alternative music scene of yester-year and gives the people craving different and unique something to chew on for a while. Totem is a audio-treat that you cant find a loud enough stereo for... Totem is perfect for fans of Neil Young, Desperado/Outlier country music, Drive-By Truckers, Josh Ritter, Gram Parsons listeners and, you guessed it, greasy un-kept long-hair outsters. Some may think of The Hiders as a un-noticed secret part of The Cincinnati Music scene but thats just hogwash... You just have to FIND them, but still... No shame in your ability  to fail though. After all, they are called THE HIDERS!

Visit The Hiders Website
http://www.thehiders.com

1962 Cuban Missile Crises Alternative Future




Thursday, October 1, 2015

Heart of Wood (2) by Rich W.


9-10-15
4:36 p.m.

I feel like in most relationships, whether of a romantic nature or close friendships, the participants share bits of themselves...(memories, opinions, experiences, beliefs, etc.) and in so doing, learn about one another...become closer. Perhaps I just romanticize the whole relationship concept, but it seems to me that that is an important part of of the whole "getting to know you" process. 

I also believe that you know you are really close with someone when you can reveal your true feelings, however complex or irrational or conflicted, and they express understanding and empathy. I'm not saying that differences of opinion are not expressed or that disagreements should be covered up. I am fully in support of healthy debate...offering alternate ways of looking at things, even arguing for one's position or point of view.

But i think that when people who really care about each other communicate, an underlying sense of "i understand where you're coming from" exists. It's kind of the foundation, isn't it? I mean... as we grow out of childhood, and develop the ability to choose with whom we develop friendships, isn't that a big part of how we choose? 

I have never decided to pursue a friendship with somebody because i never had any idea where the hell they were coming from. It's not necessarily going to prevent me from liking a person, but i can't see feeling close to someone if i just couldn't "get" them at all. And even more so if i never felt like they got me at all.

Alright... I'm pretty sure i've overstated my point effectively.

And in my recent 8-year relationship, i spent a whole lot of time understanding. By which i mean that she and I were very, very, very different people with fundamentally different ways of approaching life, ways of thinking, ways of dealing with anger, ways of communicating, etc.

We felt very differently about almost everything. But I could almost always effortlessly see from where she was coming.  I never expect people to think like i do. And the things I admire in others are often also the ways in which we are different. So it wasn't difficult for me to listen or to understand. And I spent several years being there for her and being on her side. 

You can see where I'm going, right? Of course you can.

I can honestly say that I never felt that sort of understanding in return. Every time I expressed an opinion or shared a memory or talked about how I felt regarding this or that, it somehow became an argument. I never could figure out how it happened, either. I'd be talking about how certain punk bands helped influence me ideologically and philosophically at an important stage of my development   and... before i knew it, I was in the middle of an argument about whether punk was simply a fashion and that punks were just another elitist, narrow-minded clique. And it didn't matter at all that i could understand that in her experience, that must have seemed the case OR that these were issues i struggled with myself as i was growing up. It was impossible to be a part of the punk movement in the mid-80s and not see that many of my "fellow punks" decried being persecuted for dressing differently from the norm and listening to different music...but were just as fucking shallow and judgemental of others as  the worst of the mainstream. It angered me. But I still believed in bucking the status quo. I still believed that people should be free to be who they are...think what they think...dress how they want...listen to what they want. Just because some people in the punk scene were shitty toward people for being "goth" or "metal" or "straight" or whatever, it didn't make my beliefs any less genuine.
-But how the hell did i end up having a straight-up argument with my girlfriend about this shit in 2015 when I was just trying to share a piece of myself...explain how i came to a certain understanding about something or other as I was growing up?

Why are we shouting?

I was called a music snob for years because I listen to music that moves me...speaks to me, and i don't really pay much attention to anything else. I never insult or put down types of music. I rarely say anything negative about specific bands or artists (steve miller being a notable exception). People look for different things out of music. Why should i care what anyone else listens to or why? I listen to what I listen to because that's what does it for me. Why are you calling me a snob?

These are tiny examples of a constant atmosphere in which I became more and more hesitant to express myself at all to my girlfriend. I just settled into a routine of working, listening to all the things that pissed her off, helping to raise and financially support her children (who resented my existence), watching tv, and failing to sleep. Every once in a while I would try to bring up what I saw as a problem. It was never well received or given much weight. I know i can be overly sensitive, but this hurt me. And I felt more and more...

I could have left. You are probably asking why I didn't. And while I can't claim to be completely aware of all my motives, the fact is that she needed me. She has very few friends, two daughters, a personality which makes it hard for her to hold a job...she needed me. And I loved her. Not in the way I would have wished, perhaps. But I loved her. And my old shrink would say that I was conditioned from birth to feel as though what I want and need is far less important than...everything else.

But you are right. The honest and most loving thing I could have done would be to leave. To break up before my feelings of affection slowly faded and all that remained was a sense of obligation.

Saturday, September 26, 2015

09/22/15 Notes While Under Surveillance


The following notes were compiled during verified surveillance.

-Water is Electricitys: Arch nemesis.
-'Trad' replaces 'Traditional'
-When you see displays of public [real] business: "GET AN OFFICE YOU"
-Kids name; GodLove: Is that a hashtag?
-TAILGATOR
-Is a creditied newsanchor who recently did a report about a new motorcycle gang encroaching another, longstnding MCs territory maybe, perhaps, a member of a MC? Not naming names.
-Mountain Dew is a name. Not a place.
-From the movie KING OF NEW YORK starring Chris Walkin... "Im A Black Man" (see below)
- My name is "Coca-Cola"
-Please help the Sad Kids.
-HOUSE RULES.
-A blue dish that just so happens to be perfect for the portage of finger foods from party to party...

Wednesday, September 23, 2015

Lo-Fi City Notes And Oddness GUARANTEED

(pics by AB1 from Lo Fi City 2 release show)


Since I first immersed myself in punk-rock (with the dash), the 'compilation' was early fuel for the fire exposing myself to more bands, more songs for a great and economical price.

Killed By Death #'s Two and Three, Dangerhouse Vol.1 & 2, Centsless' Blast From The Basement, Bloodstains [Across the Midwest], Murder Punk, Incognito Records Back To Front... Trust me, I could go on to the break of dawn... The newest installment of Lo-Fi City (#2) joins in those same ranks. The bands and their sounds are diverse but at the same time, that creates cohesion. Much like the Dangerhouse compilations, one song compliments the rest and the arrangement of the CD keeps you interested and attentive from start to finish.

So, if you (like myself) always wondered what happened to a whole generation of kids that were fueled by the new designer drugs Flakka and crocodile with The Year Punk Broke bands like Nirvana, Sonic Youth, The Pixies and more... Well, they are doing ok! Actually, they are doing fucking fantastic! They have great bands that write great songs and you would be a fucking idiot if you just pass overtop of the Lo-Fi Noise as exhibited on this collection.

To totally be honest with you, I'm in one of the bands thats featured on this compilation... So 'reviewing' this release sorts crosses a line with me and my mission on Thwart... At the same time, if The Socials were not on this disc, it would still be a fucking great compilation. 

Firstly, my favorite bands (in no particular order... KrkGrd, Lil' Trees, Sleepy Drums, Mutt Fuzz and Flesh Pets... But the goodtimes roll with Eric Die & Jon Stout, The Night Divided, Chris Potaka, Biggest Wall, Sunny Temple, Commercial, John Mattock, Dinosaurs & Thunder, and Nanny.

There are hard copies (CDR) floating around but you can get the compilation via bandcamp as a PWYW (Pay What You Want) DL (download).

Notea:
-LFC is the new fringe minority: "Get Sum"

https://loficity.bandcamp.com/album/lo-fi-city-compilation-2


In the above picture, Nanny Singer/Keyboard/Oddist Chris Potaka goes off-script and reads from the zine Bad Day At The Plastic Minds Number Eight...

Notes: 
-Soft-Rock Hard Strikes again: Nanny reminds me of a State Fair thats winding down on its last houir of normal operation where the garbage cans are full of last-bite fried foods and smell delicious... Nanny are the background music.
-Loud, Distorted vocals: You dont wanna know what Chris is sying. You cant handle the Potaka.
-Last breth of a sad sci-fi movie: Disneys The Black Hole during the cyborg making scene.
-Over nurtured species: We call them Pets.


This show was also Jonathan Stouts Birthday. He is one of those people that you cant ever tell if they are drunk... "You sauced Jon?" I ask. "Ohhhh Yeahhhh!" he responded. Get your 'Boggin on, the eraser tip side of your number two pencil up your butt and get out there... Sleepy Drums played a good set... Depite alcohol, you couldnt see the inebriation. Lo' are those that play on their birthday. They have since released a CD-EP that AB1 reviewed a minute ago on Thwart.

https://loficity.bandcamp.com/album/lucy-ep


Butt may not have a 'marketable' name, but thats their intention... I think. Like a grain of pepper, their playing hits you fast and hard like a sorts of shock & Awe; butt with music.

Notes:
-Nervous energy: Inside their sound. Eric Die, the bass frontman  reminds me of Rob Radar from Radar Secret Service.
- Alesandros guitar work deserves a mention: Mentioned.
- RIYL: Joseph K, Crystal Stilts, Certain General. So post-punk my balls hurt.
-Easy to fall in love: With their sound... They too just released their EP... Follow the link Below.

https://butttheband.bandcamp.com/album/elvis-ep

...!